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The Influence of a Patron

monstrance4.jpg

Florence, Italy. ca. 1340-1350. View of stem.

 

Just how much of an influence did patrons have over commissions? 

When it came to religious objects, patrons had less artistic freedom. [14] They had to conform to the religious ideology, and ensure that their commissioned items focused on teaching religious truths. [15] However, they maintained a vast majority of control over secular artistry. [16]

Female patrons would sometimes have male, religious advisors to instruct them on how a commissioned piece should be constructed. [17] However, this monstrance has no mention of an advisor.

Artists could’ve interpreted religious iconography in their own way. It is a fair question to ask if the saints were depicted to Petrucci’s liking or not. Her identity as a female, however, could explain the presence of a fair number of female saints depicted on the stem.

 

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[14] June Hall McCash, The Cultural Patronage of Medieval Women (Athens, GA: University of Georgia Press, 1996): 105.

[15] Ibid, 106.

[16] Elizabeth Carson Paston, "Imagined Patronage," in The Bayeux Tapestry and Its Contexts: A Reassessment (Boydell and Brewer, 2014): 65.  http://www.jstor.org/stable/10.7722/j.ctt6wp9gx.10.

[17] Holly Flora, "Patronage," Studies in Iconography 33 (2012): 210. http://www.jstor.org/stable/23924284.